I posted earlier about this little ceramic sculpture I picked up in an auction, speculating that it was made by a follower of Charles Vyse. After a couple of days looking in the archives of Camberwell School of Art I was pleased to find that I was right. Vyse taught modelling at Camberwell in the 1920s and in The Cambian, the college magazine, I saw a similar piece by J.West, a student. West never seems to have practiced professionally, like a lot of art students, and I’ve found no other pieces by him. Him or her? My first thought was that a tender piece depicting a girl with a baby must have been made by a woman, but the convention of the time would have been to describe a woman student as “Miss J. West,” so J.West was probably a man.
In 1964 The Tate Gallery had an exhibition devoted to Hans Arp. It’s taken them almost sixty years to catch up with his more interesting wife Sophie Taeuber-Arp in the latest exhibition recovering the reputations of neglected women artists. (I wrote earlier about the recent MAK exhibition Women Artists of the Wiener Werkstätte.)
Sophie Taeuber-Arp is revealed here as embodying perhaps more than anyone else the idea of the Unity of the Arts, moving easily between painting, architecture, interior design, sculpture, tapestry, rug-making, jewellery, costume and puppetry. She also trained as a dancer with Laban and there is a dancer’s sense of movement and fun in her abstract compositions. She was never a painter descending to decoration or a craft worker trying to elevate her status – she believed absolutely that all art was of significance.