This charming little ceramic figure came into my possession today. It’s about 15cm tall, signed MW and dated 1924 but otherwise unidentifiable. Enquiries have failed to come up with any ceramic modeller with those initials and I shall probably never find out who made it – though surely the artist was a woman? The 1920s were the heyday of this sort of studio-made figurine and there were many good makers who came and went without leaving any permanent trace.
It’s worth mentioning the mysterious MW because this is, technically and artistically speaking, quite a good piece and was made by someone who clearly knew what they were doing. The marks on the base, if we can rely on them, suggest an experienced and fluent artist if not a professional one, because there are several reference numbers suggesting that this was one of a series.
I head the post School of Charles Vyse because the style and method are very much his. It’s cast from a mould, hand painted in underglaze colours with a transparent glaze over it, an informal, everyday subject, and a pattern on the dress like many of Vyse’s figures. If not for the initials I’d say it was by Vyse’s pupils Jessamine Bray and Sylvia Williams of the Dulwich Pottery. Vyse taught at Camberwell and so it may well be by someone who was in his class.